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This diet manual contains sections pertaining to the various diets are designed to be used by the Certified Dietary Manager in the facility. Dietary modifications are simplified so that the dietary manager can concentrate on serving nutritious, safe, attractive, tasty meals in a pleasant environment. The section entitled “Nutrition Support” is included to assist the facility’s nutritional multi-disciplinary team in identifying patients at nutritional risk and in developing a comprehensive care plan for those residents. The diet analyses were done using the USDA Database. A single representative menu is presented and may not represent usual intakes. Several diets, including clear liquid, full liquid, and high energy/high protein are intended for short use only. It is important in menu planning to provide a variety of foods to help individuals meet current dietary recommendations.

• Sales Rank: #1384808 in Books
• Published on: 2015-09-11
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .50" w x 8.50" l, 1.15 pounds
• Binding: Paperback
• 218 pages

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[D844.Ebook] Download Organic Structural Spectroscopy (2nd Edition), by Joseph B. Lambert, Scott Gronert, Herbert F. Shurvell, David Lightner, Robert Graham Coo

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Ideal for any practicing or future organic chemist or biochemist, Organic Structural Spectroscopy presents the fundamentals of all four principal spectroscopic methods:� nuclear magnetic resonance spectroscopy, mass spectrometry, infrared spectroscopy, and ultraviolet-visible spectroscopy.� Each topic is examined in depth by an experienced author who is a practicing expert in that area. The material begins at the most elementary level and progresses to the level required for organic research. Among many other enhancements, the Second Edition offers an entirely new discussion of mass spectrometry, with comprehensive coverage of new ionization and fragmentation methods, and treatment of NMR from the basics to advanced 2D methods.

• Sales Rank: #609848 in Books
• Published on: 2010-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x 1.00" w x 8.60" l, 2.62 pounds
• Binding: Hardcover
• 552 pages

From the Publisher
This text authoritatively covers currently used techniques for determining the structure of organic and biological compounds--ideal for any practicing or future organic or biochemist. The fundamentals of all four principal spectroscopic methods are covered in depth, each by an experienced author who is a practicing expert in that area. The material is easy to grasp, beginning at the most elementary level and progressing to the level required for organic research. Highlights include the most thorough and current treatment of NMR available, ample problem material, and two new chapters devoted to multiple pulse and two-dimensional methods.

From the Back Cover
This book is the revision of a widely-respected book on spectroscopy. The book covers all four areas of organic spectroscopy including NMR, MS, electronic (including CD and optical rotary dispersion), and vibrational (which also includes Raman). The book is the most complete and comprehensive treatment on the subject. It covers currently used techniques for determining the structure of organic and biological compounds. It also has a strong emphasis on problem solving and is distinctly pedagogical. This book is ideal for any practicing or future organic or biochemist.

About the Author
Joseph B. Lambert has been Clare Hamilton Hall Professor of Chemistry at Northwestern University, Evanston, Illinois, and soon will become Professor of Chemistry at Trinity University, San Antonio, Texas.� He has been recognized for his work in nuclear magnetic resonance spectroscopy, organosilicon chemistry, and archaeological chemistry, and for his teaching of chemistry.� His honors include the American Chemical Society 2004 Sidney M. Edelstein Award for Outstanding Achievements in the History of Chemistry, the American Chemical Society 1998 Frederic Stanley Kipping Award in Silicon Chemistry, and the Chemical Manufacturers Association 1993 National Catalyst Award.� He is the author of over 360 publications, including 13 books, and he is the editor-in-chief of the Journal of Physical Organic Chemistry.

Scott Gronert is Professor of Chemistry at Virginia Commonwealth University.� He has been recognized for his research in mass spectrometry, proteomics, and gas-phase ion chemistry, and for his teaching of chemistry.� His honors include a Northern California Phi Beta Kappa Teaching Excellence Award and a Wilsmore Fellowship at the University of Melbourne.� He is author of over 100 publications, several book chapters, and presently is on the editorial board of the Journal of the American Society for Mass Spectrometry.� �

Herbert F. Shurvell is Emeritus Professor of Chemistry and Adjunct Professor in the Art Conservation Program at Queen's University in Kingston, Ontario.� He has been recognized for research in infrared and Raman spectroscopy and for his teaching of chemistry.� His honors include a D.Sc. degree from Exeter University, Honorary Membership in the Spectroscopy Society of Canada, and an Award for Excellence in Teaching from the Arts and Science Undergraduate Society of Queen’s University.� He is author of more than 200 publications, including four books, and he is a former Editor of Canadian Spectroscopic News.

David A. Lightner is R.C. Fuson Professor of Chemistry, Adjunct Professor of Biochemistry, and Regents Research Professor at the University of Nevada, Reno.� He has been recognized for distinguished contributions in relating chiroptical properties to stereochemistry and for clarifying the molecular mechanisms of phototherapy for neonatal jaundice.� His honors include University of Nevada Foundation Professor (1987), the first recipient of the Outstanding Research Award for the State of Nevada (1992), and election as Fellow of the American Association for the Advancement of Science (1996).� He is the author of more than 350 research publications and 12 books or book chapters, a former associate editor of Photochemistry and Photobiology, and currently on the editorial advisory board of Monatshefte f�r Chemie.

Most helpful customer reviews

10 of 11 people found the following review helpful.
BEWARE: Better Spectroscopy Texts are Available
By A Customer
As a student using this as a primary text in a graduate-level spectroscopy course, I found that this first edition text is far from polished and does not surpass the spectroscopy texts curretly avaiable on the market. Errors were found in the text and end-of-chapter problems. The extreme scarcity of worked problems and review questions with answers made it difficult for a student to test his or her grasp of the concepts. There is no study guide. Furthermore, the problems at the end of the chapter often relate poorly to what was stated in the chapter's text. As a result of these shortcomings, I turned to other, more established spectroscopy texts for clearer descriptions and understandable examples. Perhaps later editions will improve upon the first; however, I would advise against buying this text and recommend a more established spectroscopy textbook.

11 of 13 people found the following review helpful.
Among the better general organic spectroscopy books
By A Customer
I teach the class this book is intended for: graduate level organic spectroscopy. It is a first edition, so there may be a glitch or two here and there, but I have been very pleased with it.
In my opinion, there are no ideal books out there. Either the background/theory is inadequate (e.g., Silverstein), the tables are hardly useful (e.g., Pavia), or there aren't enough problems. On the other extreme are NMR-only books like Gunther's or Schlichter that are beyond the scope of the course. While I personally would like to see more tables than are present in Lambert's book, they are a good start and will do very well for many people.
The book includes very reasonable introductions to a great variety of techniques. The section on ionization in mass spec, for instance, has subsections on LD, SIMS, FAB, MALDI, ESI, TS, and APCI on top of the usual EI and CI methods. In the optical spectroscopy section, there are good introductions to CD and ORD. The chapter on 2D NMR is also much more extensive than typical for these books.
There are 35 "integrated problems" in the back of the book, but I might like to have seen more problems associated with each chapter.
I assign this book with confidence, supplementing it with some tables and home grown problems. As far as I'm concerned, it's the class of the current (1999) lot.

3 of 3 people found the following review helpful.
errors everywhere
By Andrew C. Flick
This is one of the worst spectroscopy books, even by spectroscopy textbook standards. Providing a broad survey of spectroscopic techniques, our class encountered errors all over the book (just like the chemical literature!!). Example problems could have been better selected. I use the book for its tables (IR table, specifically) only. Experience and NMR calculation software will top this book as an aide to the synthetic chemist.

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• Published on: 2000-01-01
• Binding: Paperback

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Same Content as US Edition in Different Softcover Design

• Sales Rank: #56643 in Books
• Published on: 2009
• Dimensions: .0" h x .0" w x .0" l, 2.92 pounds
• Binding: Paperback
• 832 pages

Most helpful customer reviews

532 of 541 people found the following review helpful.
A comprehensive review after reading all the others
By J.A.G.
I wanted to give a review about this book but before I do, I feel that you need to know something about my background and how it relates in my synopsis of the text. I am a freelance patternmaker that lives in New York. I have a BFA in Fashion Design and Marketing and I have been making patterns for roughly about 16 years. I have also taken some additional classes in recent years to learn new techniques and enhance previous ones I have learned. I own several other books ranging from basic patternmaking, books that specialize in lingerie patterns, and menswear pattern books. I own patternmaking software and I am currently using all the things I have learned and applying it to drafting patterns on my computer. I own two dress forms (a half scale and a standard one) and I know how to drape. I know how to sew and construct simple garments such as a t-shirt and intricate ones like bridal gowns. I also know how to do rub-offs (copy garments) and how to grade (change the dimension of a standard pattern to fit a larger or smaller person). I wouldn't call myself a know-it-all or a master at this but I would say I know a great deal more than the average Joe when it comes to making patterns.

That being said, I have come across all types of people that are learning or want to learn about patternmaking. Most of these individuals are designers (or people who think they are designers), fashion design students in college, people that sew as a hobby, or individuals that want to make some unique clothes and save some pennies in the process. All of these are good reasons to learn the skill. In order to learn anything, you need to start with the basics. When I refer to the basics, I mean that you need to start with knowing what a pattern is, what it's used for, and how YOU will incorporate its use in what you need to do. By knowing this, you can figure out where you need to start and what type of book will give you the information you need to get you there.

When I was studying in college back in 1993, a very good teacher introduced me to the basics of patternmaking. She instilled in me the importance of accuracy, explained the use of the tools, showed me how to measure and incorporated the application of those measurements in developing the basic pattern (also referred to as a sloper or block). This was where I was introduced to the book, PATTERNMAKING FOR FASHION DESIGN (1st Edition). Although I used this book, it wasn't introduced into the curriculum until my third patternmaking class and the reason for this I think was because the teacher felt it may have been too advanced for a beginner with no prior knowledge of patternmaking like me. The first patternmaking book I was ever introduced to was HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross. Even though that book was more basic than Helen Joseph-Armstrong's book, you still need to know the basics of the human body, measuring, and how to use the tools properly and I feel the best way to learn those things is from a qualified teacher or industry expert. Books will mean very little to you if you can't relate to the information within and if you don't have a reference to gauge your performance like a teacher or a tangible sample of what you are doing.

Now for the most important part of this, the review:

Like I said previously, I own a hard copy of the original book and I also have this new 5th edition (a digital Kindle version on my tablet). I feel that this book is good for an individual that already knows the basics of making patterns and wants to learn about more intricate garments and how to make patterns for those garments.

PROS

1. In comparison to the 1st edition I own, they have added information about computerized patternmaking (not how to draft on a computer, just on developments related to the industry), a menswear section, a childrens section, more information on drafting knitwear patterns and swimsuits, detailed directions on jacket construction (which is one of the most challenging things in sewing, in my opinion), and how to copy ready made clothing design. If you are on the fence about getting an older edition, I say you should get this (unless you get the older edition for a very good price).

2. This edition highlights certain diagrams and instructions in a different color making following along easier for the reader.

3. It's available as an eBook, which for me is good because I like to refer back to certain sections if I have a question about a technique or process. Easier to carry around on a 7" tablet when I'm out on a freelance gig. Plus, the eBook is cheaper. I like that they've taken the step to make it available as an eBook. Hopefully, the other publishers will follow suit.

4. Very good illustrations.

CONS

1. Like a previous poster said, there are some errors with drafting the armhole for the basic pattern and they have some other numerical errors. For the asking price, they should make sure that these are perfect before demanding someone spend that amount of money. In my case, I purchased it for more of a reference guide. I have enough experience to correct the errors within when I draft patterns and the foresight to not even apply them to what I'm drafting.

2. Although I think the illustrations are good, a lot of them seem a bit dated style-wise. What's more important to the user of this book is that they grasp the concept of the style lines they want in the garment and be able to apply those techniques in developing a style that is aligned with current market trends.

I gave the book 4 stars because it does most of what it intends to and that is to inform the reader about various patternmaking techniques and how those techniques apply to the development of different styles across all markets, genders, size ranges, and age groups. It lost a star for the errors in the text, which is inexcusable.

Before I end, I would like to offer some advice, tips and suggestions that may help the previous posters and additional people looking to learn patternmaking or wanting to buy books on the subject.

When you use this or any patternmaking book, the measurements given within are a collection of general data taken from a small sample of human beings. Even if you magically happen to fit into one of those general categories, you still have to check and fit the final pattern by making muslin mock up. It would also help if you had an additional set of hands or a person that is knowledgeable in fitting to help you (you can't check your own back, your own shoulders or adjust a hemline properly without some assistance). That way, you know where the issues are and you can apply the corrections accurately for the best results.

Know how to measure and know how to convert fractions into decimals. (i.e. 1/2"=.05, 5/8"=.6250 etc.). It surprises me the amount of people I come into contact with that have no idea on how to use a tape measure.

Buy the right tools and learn how to use then properly. To make patterns, the most basic tools you need in you arsenal are:

1. An 18" C-Thru transparent inch/metric ruler
2. A plastic French curve
3. A hip curve
4. A pencil
5. An eraser
6. A tape measure
7. Paper (blue dot paper is the best option because it will help beginners with their accuracy by lining up the dots but if you don't have that option available to you, you can get a roll of that white paper they use at the doctor's office. The stuff that they roll out on the examination table that you sit on. You should be able to buy it at a medical supply store and almost every town or city has one).

In the beginning of most patternmaking books, you will see a more detailed list of supplies but if you have these basic things, you can make any pattern. If you do it more frequently or want to invest more in the process, you can buy additional tools.

Before buying this or any book, check your local library to see if they have a copy. You'll be surprised at what you find. You can also check the local college bookstore to see if the material is relevant before pulling the trigger. In New York, FIT is a good resource for this and it's open to the general public. A lot of local New York libraries in Manhattan, Brooklyn, and Queens have patternmaking books in their collections.

If you can, take a class or find someone reputable that can teach you the basics. Once you have learned the basics and have the concept of how to create a pattern from scratch and how that relates to a finished garment, you will be able to better understand any book.

Check YouTube and the Internet for videos and how to blogs and/or posts.

In reference to the comment I made about the different types of people that want to learn patternmaking, I will offer a few book suggestions. All the books I am recommending I personally own.

If you are a designer wanting to make patterns for your collection, this book is a good recommendation but if you have absolutely no knowledge about the process, you may want to start with HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross and after you have learned most of the basics, you can get the other book that accompanies this one titled DESIGNING APPAREL THROUGH THE FLAT PATTERN (6th Edition) by the same authors. It builds on the first book by helping you to develop more complex styles.

For fashion design students, this book is one that you are probably using or are going to use and it's appropriate in a college setting because you should have a professor that can instruct you on the proper way to make a pattern and that can point out any mistakes in this book and how you can correct or improve on them. A good additional read is APPAREL MAKING IN FASHION DESIGN by Injoo Kim and Mykyung Uh. I was able to borrow this from my local library and decided to invest in it after reading through it extensively. I took a patternmaking class in 2010 and the way the teacher instructed me is very similar to the method in this book (she didn't use this book in class and was not familiar with it). It gives very good and detailed instructions and the illustrations are very good and easy to follow. One of the best things about this book is the way that the author diagrams slash and spread techniques and shows the direction for scissor placement.

For the home sewers, I found that most of them have gained some of their knowledge from using commercial patterns which is a decent start but from a development standpoint, I think that THE PRACTICAL GUIDE TO PATTERNMAKING FOR FASHION DESIGNERS JUNIORS, MISSES, AND WOMEN by Lori A. Knowles is a good book for this category mainly because the book shows you how to develop a pattern based on a particular styles included in the book and how to change/develop some of those styles by changing a piece like a sleeve. The book has very detailed illustrations and reference styles by numbers so you can follow along. The beginning of the book has very good instructions on taking measurements on the body to develop the basic patterns and they even demonstrate the draping technique to develop the basic pattern. The book includes a really detailed measurement chart for regular, petite, and plus-sized women. There is also a menswear version of this book, which is rare in patternmaking books.

My best advice for the individual that wants to make an occasional pattern for sewing up a garment is to go to your local thrift store or Goodwill and buy a really cheap version of the garment you want to make that fits, take it apart stitch by stitch, iron the pieces flat, trace them on paper and you'll have a pattern. If you want more comprehensive lesson on this without taking the garment apart, refer to PART 6 CHAPTER 25 of this book. Google and YouTube are also your friends.

I know this was a really long read but I spent most of my Sunday evening writing this in hopes that it helps clear up some misconceptions and misunderstandings about the book.

*** UPDATE 3/15/12 ***

I was reading through some of the past reviews and one reviewer, 1st nest, made a very valid point in comparison to this edition and the 1st one. They have omitted a section of the book, a 52 page chapter at the end that discussed fitting problems and pattern corrections. For a beginner or even a seasoned pro, that particular section has a lot of good information for fitting and would prove useful if you were having problems with the fit of the garment (which is very common with your first draft). If I could adjust the way I rated the book based on this, I would probably lower it to 3.5 stars. All in all, this still is one of the most comprehensive books I have ever read about patternmaking.

If you can get your hands on a 1st edition, the fitting section alone would be well worth it.

43 of 43 people found the following review helpful.
Great book... if you have a teacher as well.
By E.B.
As an aspiring designer who can't afford to go to design school, I bought this book (and the draping book from the same author)in hopes of teaching myself how to make clothe. I decided to get this book after hearing about its common use in schools. I mean what better book to get than the one they use in fashion school right?

The good:
-A lot of variety. The book teaches you how to make the very basic and then how to distort it and transform it into whatever design you want.
-It has women's, men's and children's sections, as well as things such as bikinis and leotards.

The bad:
-Some of the directions are unclear. As someone who tried to learn with no outside help, I found myself extremely frustrated (specially in the beginning) when sometimes instructions seem to jump a step.
-The illustrations are not always clear. For instance in the pants fitting part of the book, it was hard to compare what I was seeing in real life to the drawn pictures in the book.
-Few sewing instructions. The book shows how to cut the pattern so the fabric can later be manipulated, but doesn't show you exactly how you would go about sewing that cut.
-Some of the methods are outdated. After consulting with someone that has been working in the industry for the last 25 years I leaned that a few of of the instructions and techniques given are no longer used in garment production. This idea was reenforced to me after I had a dress ruined because the defect on the pattern only showed itself after I tried sewing with a fine fabric.
-Some instructions are overly complicated. I find this specially in the sleeve instructions.

In all this is a good book if you already know the basics or if you have a teacher. I would have had little to no complaints if I fell into either categories when I bought it. It's a great resource and can sometimes even be used as source of inspiration for a design. I should also mention that although the book covers fittings, a lot of it you will have to learn on your own. I had occasions where I did all the book suggested and fail, only to later find a solution for a fit on my own.

2 of 2 people found the following review helpful.
Okay but needs improvement
By Claire Farron
The price is really great considering that the hardcover is much more expensive HOWEVER, IT IS NOT AN EXACT COPY OF THE HARDCOVER VERSION. I have to be clear with this because there is extra content in the hardcover copy, things that aren't completely necessary, but were stuff I needed for class. The paperback is missing a curve ruler paper copy and pattern slopers that are 1/2 and 1/4 scale (and maybe other things as well, but I'm not sure). On top of that, I found a printing mistake in my book, so I couldn't even read a certain portion of my textbook. The instructions on how to measure a body is CONFUSING. It took me 3-4 times to make a sloper that was close to my body measurements, so it's best to find a teacher to help you. Some of the methods of pattern making are also outdated and I have found several typos. Overall, I still like this book, but it can be improved.

Pros:
- covers a wide variety of pattern making clothes (women's, men's, children's, sportswear)
- very inexpensive compared to hardcover version
- pictures are extremely helpful
- includes little tests to further your understanding

Cons:
- NOT AN EXACT COPY OF HARDCOVER VERSION
- typos
- instructions can be unclear
- printing mistake made a page illegible
- some methods outdated

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